1-3 September, 2021
Rafah (Gaza Strip) and Berlin in cooperation with 28magazine

Due to the 12-year blockade of the Gaza strip and the impact on its two million residents, the people of Gaza have been relying heavily on transmitting to achieve what they are unable to achieve by any other physical means. For them, transmitting no longer is a telecommunication term used to describe the essence of a communication process. Instead, it has become a powerful tool for resisting.

Resisting the vicious reality–primarily caused by the ongoing siege–, and resisting the common stereotypes related to Gaza–such as generally being portrayed as a place of continual bombardment and a very low, almost non-existent, standard of living–, the fourth edition of the New Alphabet School aspires to explore transmitting as not only a means of expression through technology, but also a space of transferal, translation and communication in poetry, music and literature. In enabling new, unprecedented spaces of interaction between otherwise separated locations (Gaza, Berlin and many others), social geographies and forms of expression, this edition tries not only to think, talk and discuss through transmission, but to also shed light on the cultural, artistic and creative aspect of life in Gaza and beyond.

The Event
#4 Transmitting

With Mahmoud Al-Shaer (28 magazine), Munir Fasheh, Meena Kandasamy, Adania Shibli, Ghayath Almadhoun and others

15/10/2021
WE
Ghayath Almadhoun

The transmission of images from the war on Palestine – images of refugees and images of victims of violence – is addressed in this poem of anger and grief by the Palestinian poet Ghayath Almadhoun who was born in Damascus. 

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01/09/2021
From loss to solitude and not the other way around!
Yahya Ashour

“I thought that I would not be able to write a letter about corona, and here I am writing it after all. . .”

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25/08/2021
Community Education: To Reclaim and Transform What Has Been Made Invisible
Munir Fasheh

“Math was necessary for my mother in a much more profound and real sense than it was for me. Unable to read or write, my mother routinely took rectangles of fabric and, with few measurements (using chalk), cut them and turned them into beautiful, perfectly fitted clothing for people. In 1976 I realized that the math she was using was beyond my comprehension. Moreover, although math was a subject matter that I studied and taught, for her it was basic to the operation of her understanding. What she was doing was math, in the sense that it embodied order, pattern, and relations.” 

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26/08/2021
What I Found in the Catastrophe
Translated by Katharine Halls
Rasha Hilwi

How is personal memory a form of resistance? Rasha Hilwi, a writer and journalist based in Amsterdam, tells the story of how she found love and explains why, especially in light of looming catastrophe, there is nothing clichéd about that. 

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25/08/2021
The Gaza That Inhabits Me: My Vision for An Anthropology of Pain under the Siege
Saleh K. Abu Shamala

“Gaza is a city that I have repeatedly tried not to describe on paper, yet it possesses me like a demon, an illusion, or a diseased imagination. I try to ease my isolation by defining the siege to you reader.” (Saleh K. Abu Shamala)

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23/08/2021
Mujaawarah (neighboring... sort of) as manifested in my life
Munir Fasheh

“Simply put, a mujaawarah is a group of people who want and decide to be together, with no authority within the group and no authority from outside.” In this essay mathematician and learning theorist Munir Fasheh reflects on the role of Mujaawarahs in his life and on gathering outside of institutional hierarchical structures as a means of political resistance in Palestine. 

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16/08/2021
Surviving
Translated by Zahra Khaldi
Mahmoud Al-Shaer

How is life in Gaza strip affected by the pandemic? In this essay, Mahmoud Al-Shaer, editor of 28 magazine and curator of the Transmitting edition of HKW’s New Alphabet School, attempts to transmit his feelings in light of the spread of Corona virus around him. 

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28/01/2021
The Sea is Mohammad al-Khatib’s
Adania Shibli

Adania Shibli’s text traces a Palestinian young man’s desire of going to the sea, only to be faced with multiple impossibilities. The text was commissioned and first published by the Qalandiya International Biennial, 2016.

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